The Japanese film Labyrinth of Cinema (2020), directed by Nobuhiko Obayashi, is a dazzling and unconventional cinematic experience that defies traditional storytelling. Known for his imaginative and surreal style, Obayashi delivers a poignant farewell to his audience with this film, which serves as both a reflection on the history of Japanese cinema and a profound anti-war statement. The film’s sprawling narrative, experimental visuals, and thematic depth make it a unique and unforgettable journey.
The story begins in a small cinema in Onomichi, where the audience is transported into the films being screened on the last night of the theater’s operation. Three characters—Hosuke, a history enthusiast; Mario, a would-be yakuza; and Shigeru, a student—find themselves drawn into the cinematic world. As they traverse various historical and fantastical settings, they witness the horrors of war and the resilience of the human spirit, all while grappling with questions about art, life, and morality.
Obayashi’s direction is both chaotic and masterful, blending genres, time periods, and narrative styles with an almost reckless abandon. The film’s structure mirrors the labyrinthine nature of its title, weaving together disparate stories and ideas into a tapestry that feels both overwhelming and profoundly cohesive. This bold approach challenges the viewer to engage with the film on multiple levels, rewarding those who embrace its complexity.
Visually, Labyrinth of Cinema is a feast for the eyes. Obayashi employs a kaleidoscope of colors, dynamic camera movements, and experimental techniques to create a dreamlike atmosphere. The film’s use of green screens and CGI may appear intentionally artificial, but this choice enhances its surreal quality, reminding the audience of the constructed nature of cinema itself. Each frame is a work of art, brimming with detail and symbolism that invites repeated viewings.
At its heart, Labyrinth of Cinema is a deeply humanistic film. Obayashi’s anti-war message is woven into every scene, urging viewers to reflect on the devastating consequences of conflict and the importance of empathy and understanding. Through the characters’ journeys, the film explores the cyclical nature of history and the role of art in breaking free from destructive patterns. This thematic richness is underscored by the director’s own sense of urgency; made while Obayashi was battling terminal cancer, the film carries the weight of a final testament.
The performances in Labyrinth of Cinema are as varied and dynamic as the film itself. Takuro Atsuki, Takahito Hosoyamada, and Yoshihiko Hosoda bring depth and relatability to their roles as the three protagonists, while the supporting cast adds layers of humor, pathos, and intrigue. Together, they ground the film’s fantastical elements in genuine emotion, creating a balance between the absurd and the profound.
One of the film’s most remarkable aspects is its celebration of Japanese cinema. Obayashi pays homage to a wide range of genres and filmmakers, from samurai epics and war dramas to musicals and romantic comedies. This meta-cinematic approach not only highlights the rich history of Japanese filmmaking but also serves as a reminder of cinema’s power to inspire, educate, and provoke change.
However, Labyrinth of Cinema is not an easy watch. Its frenetic pace, dense symbolism, and three-hour runtime demand patience and attention from the viewer. For those willing to immerse themselves in its world, the film offers a deeply rewarding experience—one that lingers long after the credits roll. It is a testament to Obayashi’s unyielding vision and his belief in the transformative power of art.
As a final work from a legendary filmmaker, Labyrinth of Cinema is both a celebration and a lamentation. It mourns the losses inflicted by war and time while celebrating the enduring resilience of humanity and the boundless possibilities of storytelling. Nobuhiko Obayashi’s swan song is a cinematic odyssey that challenges, inspires, and moves its audience, solidifying his legacy as one of Japan’s most innovative and heartfelt directors.
For cinephiles and newcomers alike, Labyrinth of Cinema is a must-watch. It encapsulates the magic of cinema while delivering a powerful message about the need for compassion and the dangers of forgetting the lessons of the past. In a world that often feels as chaotic as the film itself, Obayashi’s parting gift serves as a beacon of hope and a call to action.